Sunday, December 26, 2021

My Top Albums of 2021

2021 is coming to a close. The Pandemic is still happening, but some of the restrictions have loosened, allowing musicians to tour again. Musicians who were stuck in lockdown in 2020 and unable to tour used this downtime to produce more music, and we got to see the spectacular results this year. We also saw a lot of new bands starting out in 2020/2021, and heard from some old favorites. This list is but a small sampling of them. I was inundated with new music all year long. As I said last year, I’ll probably be discovering music that was released in 2021 for years to come. It’s near impossible to get to them all. But, here are just a few of the albums that shaped my year, in no particular order. I hope that, if you find that you like any if these albums, you’ll support the artist on Bandcamp and purchase them. Especially on a Bandcamp Friday when they get the full payments. 


Slow Danse With the Dead - Babble of Despair


Release Date: October 1
Top 3 Favorite Tracks: Babble of Despair, Crucifix, Cold Caress
 
I first heard of Slow Danse With the Dead late summer 2020, and it has remained one of my favorite current bands ever since, hardly missing a month of having a song featured on my Top Songs of the Month. They even made last year’s Albums of the Year blog. The dismal, droning vocals of Johnny Montoya just resonate with me, and I feel like if I were ever to make music myself it would probably sound something like this. Again with this album the singer has returned to his characteristic, over-the-top, almost humorously miserable lyrics which was what first made me fall in love with this band’s sound last year. The title track turns the gloomily redundant line “Such a tragic tragedy” into a catchy, danceable beat. The song “Cold Caress” is about someone or something with a cold grip, dragging the singer down by the throat into an “endless realm”. It’s probably metaphorical, I’m guessing for depression or some other mental illness. 

I got this album on CD when it came out.



No Man Cry - Disappeared Men 


Release Date: July 24
Top 3 Favorite Tracks: A Calm Evening, Forgive Me, Teardown

No Man Cry is the post-punk solo project of Tigran Davtyan out of Yerevan, Armenia, founded in 2020. There is a story behind this album. This was their fourth album in about a year, and it was released just two days before Tigran Davtyan began his mandatory two-year military service for Armenia. The western media isn’t talking about it, but this is a scary time to be serving in the army in Armenia, given their hostile neighbors at the borders in the aftermath of a vicious war late last year. The title of the album may be an allusion to the soldiers who keep disappearing at the border, taken as prisoners of war by Azerbaijan to be used as political bargaining chips. I hope Tigran stays safe, and I look forward to hearing from No Man Cry again after this two-year hiatus. 


In many of the songs you can feel the angst and anxiety of someone about to enter the military service in a wartime environment. For example the song “A Calm Evening”, gives the feel of the calm before a storm.  The lyrics, in Armenian, tell how the singer will miss their hometown while he will gone for years but will try to keep the image of it in his mind. Probably has an autobiographical element to it.


As far as I know the album is still a YouTube exclusive, and is not on Bandcamp, nor do I know of a way to actually pay for it, but you can listen to it here:



Vestron Vulture - Heretic


Release Date: June 30
Top 3 Favorite Tracks: Crippling Death, Cemetery Cowboy, Darkest Road


Vestron Vulture is a band out of Monterrey, Mexico released three albums at once on June 30th, Hexen, Heretic and Hecatomb. Heretic is my favorite of the three, the most post-punk and gloomy of them, while the other two albums are good as well they have more shades of synthwave. Vestron Vulture has switched genres several times over their career, but it was when they turned to post-punk that I finally discovered them. Many of their songs deal with themes of the negative effects of drug abuse. For example, the song Cemetery Cowboy.  also just a great post-punk track, with its gloomy bass guitar and macabre subject matter. I don’t know why the word “cowboy” is in the title, but at least this sounds nothing like a country song. Another song I like from Vestron Vulture is “Crippling Death”, off this same album, which I also recommend listening to. The singer Vestron Vulture, the namesake of the band, has been very prolific since 2010 when he left a thrash metal band to go solo, with almost forty albums, and in that time he has hopped through several different genres if you look into his back catalog, from more electronically influenced styles like synthwave and EBM, to this sort of music, which he’s been making since 2019. 



Glaare - Your Hellbound Heart


Release Date: April 30
Top 3 Favorite Tracks: Your Hellbound Heart, Buyer’s Remorse, Mirrors

Glaare’s 2017 debut album To Death and a Day is still a favorite of mine, I even got it on cassette. The song “My Love Grows in Darkness”, first song on the album, is one of the most beautiful songs I have ever heard, and I don’t say that lightly. So I was thrilled when I learned that Glaare was going to have a new album out this year. The new album, Your Hellbound Heart, takes their sound in a bit of a new direction, with synthwave tones thrown into their usual shoegaze/post-punk. The theme of the album is sci-fi action movies of the 1980s, such as Hellraiser and They Live. One of the songs is even called “Terminator 2” and is told from the perspective of Sarah Connor, a character in the film. It’s very much a concept album, which are getting rare these days. Like their previous album, listening to it from beginning to end is like listening to one single work rather than a collection of unrelated songs, and that’s the mark of a good mix. There’s a lost science to placing songs on an album (or mixtape) in a way that they flow into each other and you kind of forget that you’re listening to more than one song at times. Glaare is good at this.


“Buyer’s Remorse” and the title track “Your Hellbound Heart” are a bit slower and sound closer to Glaare’s initial sound, although I do like all the songs. Admittedly nothing is quite like “My Love Grows in Darkness”, but perhaps that song is like lightning in a bottle. I do wonder if this album signals a permanent change of musical direction for the band, or if the next release will be different still.





Pretty Addicted - Soul for Sale


Release Date: April 8
Top 3 Favorite Tracks: Phobia, Soul for Sale, ‘Tones and Whiskey

“Suffering is what makes me create.”

Pretty Addicted’s music is very aggressive, loud, in-your-face, and the singer doesn’t sound like anyone else I’ve heard. The music videos are fun too, and Vicious always has the best makeup jobs. On their Bandcamp page they deem themselves dance-punk, which is a new genre to me but I like it. I found several of the songs off this album  both catchy and relatable. After months of listens “Phobia” rose to the top as my overall favorite song on the album. A song about dreaded phobias, especially of the dentist office, with its cringe-inducing sounds of drills in the background. I hate going to the dentist too, and had a very traumatic root canal done to me, so I can relate to this song. The line “I don’t want to be brave, I don’t want to overcome anything” stands out to me. Everyone looks at phobias as something you need to face and overcome, but what if you just don’t want to? There’s too much of a problem-solving mentality in psychology. Then again, you do have to go to the dentist sometime, so learning to at least cope is something you kind of have to do, if overcoming the fear is impossible.

It’s about craving for human interaction, and getting it by having a one night stand with someone you meet at a bar. I can relate to the loneliness aspect at least, if not the solution she takes.




Jrimurmur - Lur Mur


Release Date: June 21
Top 3 Favorite Tracks: Es Kendani Em, Anharmar a im Mej, Averak

Jrimurmur, or alternatively Jrimurmurner (the “ner” is a plural suffix) translates to seaweed; understandably since Armenia is a landlocked country I had never come across that word. Jrimurmur is a duo from Yerevan, Armenia, who describe themselves as “two crazy girls making noise”. They’ve been active from at least 2015, and just released their first full length LP this year, Lur Mur

Some highlights of the album include “Averak”,which translates to “Ruins”. It’s a breakup song; the singer claims that their lover left them in ruins, comparing themselves to the ruined medieval Armenian capital of Ani, which is now on the Turkish side of the border, while the lover went on to flourish like Yerevan, the current capital. It’s a cover actually. The original song was by Elvina Markaryan, a very famous jazz singer in Armenia and the former Soviet Union. Another favorite of mine is the very Lebanon Hanover-esque “Anharmar a im Mej”; the title translates to “Uncomfortable in Myself”, and the lyrics carry with them themes of body dysmorphia, and not liking to look at yourself in the mirror. The finale of the album is also noteworthy, “Es Kendani Em!”. While most of their songs are downbeat, dark and atmospheric, this song screams with passion. “Es Kendani Em” translates to “I am alive” (Ես կենդանի եմ in Armenian script; I wrote it in English transliteration because that is how the band lists it). The first word is pronounced more like “Yes” than “Es”, but that’s how transliteration goes sometimes. The climax of the song has this phrase repeated like a mantra. The wolf howl in the background of the final screams is a particularly nice touch, gives the song a really carnal adrenaline rush. It reminds me of the cry of a nation surrounded by enemies, declaring that they still live in spite of their enemy’s attempts to destroy them. I am not sure this is the intended interpretation, but it’s what comes to my mind. It isn’t a proud or happy shout, but one of desperation. The entire song has kind of a feeling of despiration. It screams “I’m still alive in spite of everything!”

Some of the tracks, like “Anharmar a im Mej”, have one or two other versions that don’t appear on the album, and as far as I know are only on YouTube. The ones that appear on the album itself are a bit more polished, but you might also like the somewhat more raw and gritty versions on YouTube.



Altar of Eden - Chimeras


Release Date: February 11
Top 3 Favorite Tracks: Existence, Sacrilege, Genesis

Altar of Eden truly sounds like it came right out of the early 1980s, echoing the sound of classic deathrock. It’s got a heaviness to it that a lot of modern bands in the genre lack. Zero synths to be heard anywhere. I found an interview with the singer of the band, and from what I can gather they’re not trying to chase any modern trends with their music, they mainly just listen to classic punk and post-punk and go from there. I can respect that, as an artist I don’t like chasing trends either. Just stick to what you want to make.



The Tears of Ozymandias




Release Date:
Top 3 Favorite Tracks: 683280 Hours, Zero Point, Slow Death

A solid debut album for this band which makes me excited for what they might put out next, this rose to the list late in the year for me, almost exclusively due to the song “683280 Hours”, the most thought-provoking and poignant song I’ve heard in a long time, but the album has other strengths as well. This is a song about life; its finite nature. I relate to it deeply as its lyrics examine many of the existential questions I’ve often dealt with in recent years. The song could only be the end result of a similar journey to find meaning in life. The title made me curious as to how much 683280 hours adds up to. It’s 78 years. Roughly a typical human lifetime. Even though it’s a bigger number it hits differently than counting it in years. Makes it seem much shorter. No one even makes it to a million hours. And you’re lucky if you make it to 683280 hours, most people don’t. Perhaps it’s because I can fully grasp how long an hour is, while a year is a longer time and thus harder to conceptualize. It’s more abstract. I’m going to be halfway to 683280 hours in less than four years. Every day your number of hours goes up by 24. How many of those hours do you spend doing what you want to do? How many of those hours do we waste sleeping? Or doing a grueling 40 hour a week job? Add them all up and subtract them from 683280. It really changes your perspective on everything when you consider how finite life is. And yet we still dream, as the song says. 




Manticore Kiss ~ Intertwined


Release Date: July 4
Top 3 Favorite Tracks: Aboulia, Intertwined, Endless Whisper

“Aboulia” was my very first hit of 2021, having debuted New Years Day. And the duo had plenty more where that came from. Their music is very melodic, not only due to the captivating vocals from both members but the accompaniment of a cello in many of their songs. “Aboulia” in particular has an almost “Phantom of the Opera” quality to it, and I would consider that the strongest track on the EP. “Intertwined” is a bittersweet love song about a couple deciding to face death together. A lot of their songs sound like something you would have to have experienced in some way to write.The band has really taken their pain and made art out of it. That’s always the best sort of art in my opinion.



Скубут ~ Меланхоличен



Release Date: January 2
Top 3 Favorite Tracks: Акт Самоубийства, Устал, Художник

Similarly to how December releases often get the short end of the stick, January releases always seem to be forgotten when people do “best of the year” lists, because they were too long ago and get overshadowed by albums from later months. Well I’m not going to forget this album, released the second day if the year. This album has kept me entertained all year long. Скубут is a solo project by Mikhail Shlepin out of Vienna, Austria. Скубут deserves to be up there with Molchat Doma and Ploho as one of the best modern Russian-language post-punk bands. 


They released another album this year in June, Сгублен, which was just as good as this album and deserves a mention as well. I decided to go with the first album I heard but they’re both just as good.



Top Singles of 2021

Not every great song that came out this year was part of an album compilation, so I thought I would give a special shoutout to some of the singles of 2021 I greatly enjoyed. 

New Cross ~ Fist of the Hanged Man

Release Date: June 3

This song still gets stuck in my head all these months later. It’s a song with staying power. New Cross is a band out of London, England, which emerged last year. This extremely catchy tune left me hungry for a full album, here’s hoping there will be one soon. 


Mortiis ~ Methuselah 



Release Date: June 15


It’s the long lost song from The Smell of Rain. It was apparently made available to Mortiis’ patrons in 2019 before it was made public in Spring of this year, so it almost doesn’t count as a 2021 single, but that’s when I first heard it. I almost never thought I would hear a new Mortiis song in this style again. I’ve liked all of Mortiis’ genre shifts over the years, but in my opinion darkwave Mortiis is best Mortiis. And he was only darkwave for that one album. I wonder if he has any other songs like this lying around. If so, take my money Mortiis. 


Thursday, December 9, 2021

Top 8 Songs of December 2021/Քաղոց 4514 ~ Tears of Ozymandias, IC2, Obsidian

 It’s the end of the Gregorian year. Soon I’ll be writing my Top Albums of 2021 blog, but unlike a lot of other writers who do such blogs as early as late November sometimes, I want to give bands who are releasing albums in December a chance to make my list and not get lost in the shuffle. So don’t expect it until sometime after Winter Solstice. I haven’t gotten into any releases quite that new at the moment, although several of the tracks listed here are from November, but I’m staying on the lookout. Anyway, here are my favorite songs of the past 30 days. Or the past 720 hours, if you will.



The Tears of Ozymandias ~ 683280 Hours




The Tears of Ozymandias of Munich, Germany released their self-titled debut album last October, and on November’s Bandcamp Friday I snatched it up after hearing this track. This is a song about life; its finite nature. I relate to it deeply as its lyrics examine many of the existential questions I’ve often dealt with in recent years. The song could only be the end result of a similar journey to find meaning in life. The title made me curious as to how much 683280 hours adds up to. It’s 78 years. Roughly a typical human lifetime. Even though it’s a bigger number it hits differently than counting it in years. Makes it seem much shorter. No one even makes it to a million hours. And you’re lucky if you make it to 683280 hours, most people don’t. Perhaps it’s because I can fully grasp how long an hour is, while a year is a longer time and thus harder to conceptualize. It’s more abstract. I’m going to be halfway to 683280 hours in less than four years. Every day your number of hours goes up by 24. How many of those hours do you spend doing what you want to do? How many of those hours do we waste sleeping? Or doing a grueling 40 hour a week job? Add them all up and subtract them from 683280. It really changes your perspective on everything when you consider how finite life is. And yet we still dream, as the song says. 

A very thought-provoking song. I can’t imagine a pop song ever delving into this subject matter. The lyrics are very befitting to the music genre.

You can find the album here:




IC2 ~ Falling Down


IC2 is a post-punk solo project headed by Ivan Coppola (the “IC” in the band name) from Villa Latina, Italy. The 4-track album that this song appears on, VERV66, was just released on November 27th (see, late November is too early to start doing your albums of the year lists), but from what I can see IC2 has been quite prolific since last year, releasing a new track every couple months or so. This song, “Falling Down”, has a danceable, darkwave element to it while remaining a bit melancholy in a way. It’s a song that I’ve kept coming back to ever since I first heard it.

Check the album out here:




Obsidian ~ Vultures




Obsidian is a Florida band I saw live just recently with Twin Tribes and She Past Away in Tampa. While there I greatly enjoyed their performance, and picked up their cassette Living Dead, their 2019 release. It seems that the band has evolved a lot in a short amount of time from what I’ve heard, as the album was very heavy, almost pure punk rather than post. But I think each of their releases has a subtly different sound to it. My favorite tracks from them have been from their most recent release, Vultures from October 2020. It feels to me that they really honed their sound by this release. What caught my attention most was the music video to this track. It comes with a trigger warning for its suicidal themes, just to forewarn you. I found more information on this track and the band from an article on post-punk.com, which dug deeper into the meaning behind the song and the band name itself (I had assumed the name came about because obsidian, being black, is a goth rock, and the genre they play in is goth rock. See what I did there? But no.) Anyway, the song is about ones mental state after being institutionalized for self-harm. 


You can pick it up here:
https://officialobsidian.bandcamp.com/album/vultures


Leonora Post Punk ~ Eternos




Leonora Post Punk is a band out of Los Mochis, Mexico. And I knew this was a promising band because it has one of my favorite music genres in its name. I’ve always liked Mexico’s gothic music scene too. It never disappoints. This song, the title track off their album (another October 2020 release), is short and sweet, but it gives you a good sampling of what their music sounds like. 


You can find their latest album Eternos here:


Node ~ Brain Fog



Another song by the Armenian coldwave/synthwave group Node, based out of Yerevan. As you may know by now I’ve been trying my best to cover the emerging dark alternative music scene in the country. This song has a dreamlike quality that suits the subject matter, being lost in a daydream and somewhat oblivious to your surroundings. It’s a calm, soothing song that takes you out of the moment and loses you in thought. As with Node’s other songs, the lyrics aren’t really written in proper English, but of course that adds to the charm. This song is a YouTube exclusive for the moment. 


You can have a look at their Bandcamp page here:


iamnoone ~ My Own Flesh


Iamnoone (I am no one) is a coldwave duo from Italy. Lots of good music from Italy this past month. This track is off their newest album Dead Season, released on November 26 of this year, so still very new. They recorded the music from this album during the pandemic (the titular dead season), and it is about that time and how it changed people’s perception of what was important and what was actually trivial. They illustrate this very well on their Bandcamp page for the album. I always like it when an artist has a unifying theme or concept on their albums. It’s a really good album too, my second favorite is the track “Labyrinth”, which I heard before hearing this one. 


Check it out here:


Dead Cool ~ Until Death




This song really is dead cool. We have an overarching memento mori theme on the list this month (probably not even close to the first time that’s happened). The synths are upbeat and danceable, but the lyrics are darker than the music might suggest. “You’ll never be alone until death. Your body will stay warm until death.” On one hand that’s comforting, I suppose. At least you won’t be alone before death. The music video has some 80s horror movie inspirations and is certainly worth a watch as well. 

Dead Cool are a duo from Wilmington, North Carolina. You can buy the track as a single here:



Bloody/Bath ~ Witch Hunt



Bloody/Bath is a post-punk/shoegaze band out of Northampton, UK. This particular track showcases their post-punk side. Something about the British accent just lends authenticity to the music, since that’s how all of the early post-punk sounded. Bloody/Bath emerged last year, as it seems a lot of bands did during the lockdown, and have had a lot of releases since, much of it either available for free or name-your-price on Bandcamp. Definitely a band I plan on checking out more, having only recently discovered them through this track that caught my attention. 



The 3 track album this appears on, Unholy Sonnets, can be found here:





Monday, December 6, 2021

Travelogue ~ Return to Tampa Bay


My wife likes it when I write these, so I’m going to. The last time I had traveled to St. Petersburg, Florida (where I lived from 2015-2019) was sometime around May or June 2020. Covid of course prevented us from traveling as much as we could have done. My wife had been back October of that year, but I was in California at the time. So it would be interesting to see how things had changed, thanks to the rampant gentrification that had overtaken the city before I left. 


The trip there was mostly smoothly; I like to ride shotgun and take on the DJ duties, that is until my son dropped his favorite puppets and I had to reach back to the back seat to grab them and my drink spilled all over my pants and seat, and had to spend the rest of the trip with soggy pants and underwear. So it goes, parenthood. 


We got to our hotel, and my favorite thing about it was the TV wasn’t bolted to the wall like it is in some hotels so I could reach the hdmi output and hook up my Nintendo Switch…so the little one could watch his kiddie shows. 

 


He loves the British puppet show Sooty, who his grandmother introduced him to. Kids shows in England have a bit more edge to them I think. That’s probably a whole other blog entry. 



Our first outing after we got settled as to Nocturnal. Nocturnal, in the nearby town of Gulf Port, is an art studio operated by two of my good friends, Rachel and Ande. There’s not many establishments you can go to that play black metal over the speakers. Quite a lot of amazing art here. 








Jareth was asleep, so we unhooked the car seat and brought him in. Rachel wasn’t in so Deborah went to go pick her up, leaving me to sit around and work on my webcomic in the meantime. But after a while, of course, little Jare Bear began to awaken, and found himself in a horrifying and unfamiliar place. By the time Deborah returned, he was beginning to freak out and scream, so sadly, we had to leave. Fun times trying to socialize when you have a toddler. I don’t know how he came to fear skeletons and such, it’s not like anyone taught him to associate them with death. But I did admire the art while I was there. And the Red Hot Riding Hood mural on the outside was a surprising treat too. 





After that we went to one of our favorite old kava bars, Muddy Waters, for some delicious vanilla kratom frappes. That was one thing we really missed about the Tampa Bay area, the kava bars. There have been more springing up near us, but none of them seem to brew their kratom drinks as strongly as around here, where competition has driven them to try to outdo one another. Little Jareth of course wanted to mess with their Christmas tree, and then go outside for an aimless walk in the cold. I wasn’t in the mood for this, so we got in the car and went back to the hotel, calling it a night. 



The next day was the funnest of the trip. 




After we picked up more kratom (you’ll notice a pattern), we dropped by one of our old favorite thrift stores for some cheap toys to keep Jareth happy. A few days ago my VCR finally stopped working after 23 years (it randomly powers off after playing a tape for about five seconds). I would like to get it repaired, but buying a spare wouldn’t be a bad idea either. I didn’t find one here, but I picked up a couple blank tapes. I’m likely going to record some music videos off YouTube. I like the aesthetic, and they aren’t going to get taken down randomly.



We took Jareth to an indoor playground next. I wrote about this place in my last travelogue where we made this trip (wow, almost two years ago); it’s fun for kids but also full of unfortunate corporate propaganda, where Publix tried to indoctrinate toddlers into lifelong customers and such. I took this time to work on the next page of my webcomic, which will be up this Tuesday. 




Next up, I had some video games to trade in at M & M Video Games. You know, in that last travelogue I picked up The Legend of Zelda: Breath of the Wild. Well I played the game a couple times. And it may be pretty, and have a large world, but that kinda doesn’t make up for repetitive gameplay, a mediocre story, and several frustrating challenges that aren’t really worth it. So I exchanged it, among some other games I was ready to get rid of, including Super Mario Bros. Wii and Shadow the Hedgehog. Games I just didn’t think I was going to play again. I got $90 in store credit, which I still haven’t completely spent because their pickings for Nintendo Switch games are pretty slim. If they’d had an Ever Drive I would have gotten it, but they said they didn’t carry them due to their questionable legality (you do have to pirate the games you put on them). Since they mainly sell old video games I imagine they don’t want Ever Drives eating up their business too. I ended up getting a new 6-button controller for my Sega Genesis, a sensory toy for my son, and South Park: Fractured but Whole. I don’t doubt that I may end up exchanging that game once I’m done with it too. I don’t really cling to my video games anymore. Most of them anyway. 



Not long afterwards we went back to the hotel, and Jareth got babysat by his grandparents while Deborah and I went to the Twin Tribes concert, which I wrote about last time. We got back and went to bed almost straight away. 



Our time was more limited the next day, as we had to pack up all our things and check out of the hotel before 11am. Never the most fun process. I woke up early, as I did the day before, for breakfast. I forgot to mention how sub-par the breakfasts were. You got bagels or English muffins, with sausage patties and overcooked fried eggs. You could make your own pancakes or waffles, but I didn’t feel like it. It was just Comfort Inn, not a super fancy place. But like I said before, if it were fancy they would probably have their TVs bolted against the wall so you couldn’t hook anything up to it. So there are advantages and disadvantages. 



After we left, we went to downtown St. Petersburg to a kratom dispensary to take some home with us (it’s a terrible addiction), and while we walked downtown we stopped at another of our old haunts, Johnny Vapors, for more kratom (yes), and a sushi bar called Pacific Counter where we ordered a sushi bowl. It was interesting how much things had changed in the short time we had been gone. This was a process we had witnessed while we lived there, the process of gentrification. This is the same thing that happened in San Francisco. First a neighborhood that was once poor starts an arts district that attracts all the young hipsters. You get art galleries, kava bars, bars with stages for live bands, hookah lounges, indie record stores, stuff of that nature. Then you get the coffee shops, the organic and vegan restaurants, the parking meters, the clothes and jewelry stores, soon all the artsy places get kicked out, and it becomes a richie rich area for snooty people. I was now able to see the final stage of this process. I was surprised Johnny Vapors was still around, probably the last vestige left from the artsy stage.



The dispensary was the cheapest place to get powdered kratom that you brew yourself. They were highly appreciative of Google reviews too and Deborah and I got some free ounces for doing so. Of course my positive reviews were still honest. 





From there we did a quick stop at Trader Joe’s because for some reason they still haven’t put one in our area yet, and we left for Tampa. Deborah had heard of a children’s museum there that she wanted to take Jareth to, but when we went, the traffic was unusually awful even for Tampa. Once we finally found parking somewhere we discovered why. They were doing some sort of Christmas parade. I could care less for parades really, and this just meant the museum wouldn’t be busy. There was plenty of fun stuff for Jareth to do there, and unlike the indoor playground in St. Petersburg it wasn’t completely upfront about its corporate sponsorship. Afterwards he got to play at the splash pad outside, while I did my best to hide from the too-warm-for-December Florida sun. 



Having had a full day, after this we hit the road and went home. Unfortunately that sushi bowl we bought earlier didn’t have its lid securely tightened, so when Deborah picked it up the car got covered in fish eggs and corn. My surprise came from the fact that it wasn’t me this happened to this time. That’s usually the sort of bad luck I get. This necessitated giving the car a good cleaning the next day. 






Sunday, December 5, 2021

First Concert in nearly Two Years! Obsidian, Twin Tribes and She Past Away.


On December 3rd I got to attend my first concert in almost two years! Amazing and sad it’s been that long. The last one I went to was Mortiis in January 2020. But if it wasn’t for the pandemic I definitely would have gone to more. The concert was She Past Away, Twin Tribes and Obsidian, at the Crowbar in Ybor City. I didn’t get to stay for the whole thing unfortunately, but I did stay long enough to see Twin Tribes. When the concert was first announced I was stoked to see Twin Tribes live. It felt like returning a favor, in a way. You see a couple years ago I ordered a cassette from Twin Tribes, and when I got it, the cassette was empty. As in there was no magnetic tape inside the case. Weirdest thing ever. But I contacted them, and they were super nice about it and sent me another one. I assured them next time they played in Florida I would be there. 


I wonder if the one on the right will be a collector’s item one day. 


Then the pandemic happened and I didn’t get to go to any concerts for a long time. And the first concert that finally did come along that was a band I liked was Twin Tribes! With She Past Away. I’ve written a blog about my conflicted feelings with this band before, but in that blog I came to the conclusion that it was silly to judge them just by the country they’re from. And they do make good music. So I bought the tickets. 


So my wife and I made it to the venue sometime after 8pm, just in time to see the opening act, Obsidian. And I was very impressed with them! I had heard of them before this but I hadn’t done a deep dive into their discography. After listening to them play I was impressed enough to pick up one of their cassettes, as well as a Twin Tribes CD. I always like to bring back souvenirs from concerts, as well as help support the bands. It was a top notch opening act, for sure.



A little bit about the venue. Now I am appreciative of any venue that agrees to host the kinds of underground gothic bands I am into. I had previously been there a couple years ago for a Boy Harsher concert. But, it gets quite cramped when it’s crowded in there, and it’s hard to see the band playing, especially if you’re a shorty like me. Now at the nearby venue The Orpheum, I feel like you can see the band pretty much no matter where you’re standing in the place. But I didn’t really get to see much of the bands playing at the Crowbar. I guess you have to get there early enough to push your way to the front near the stage. So I do prefer The Orpheum, just a personal opinion. Like I said it’s cool of them to at least host the bands that they do. They do have a nice little back area, I’ll say that. And a food vendor who cooks an amazing jerk chicken sandwich. 


Yep, this was about as much as I could see of them, and that’s holding my phone up. 


The Crowbar began to get even more crowded once Twin Tribes took the stage. They sounded great live, almost just like on the album. I find it impressive when a band with fewer than three members is able to put together a complete sound like they do. They played almost all my favorites for the hour or so they were on stage, but I kept thinking it was “just a matter of time” before they played perhaps one of their most popular tracks, “Still in Still”. I say that because I don’t think I’ve been to a single goth event in the last three years where that song wasn’t played. But they skipped it. It wasn’t just a matter of time. I know some bands get tired of playing their hit songs. Maybe it was for that reason? I don’t know. Maybe it’s not as popular as I think it is. At least they played “Fantasma”, my second favorite song by them. I enjoyed the set greatly, overall. And I even ran into my good friend DJ Maus! The rest of the Communion After Dark crew was present as well. I hadn’t seen them since the Mortiis concert. 



The venue was quite packed by the end of Twin Tribes set. My wife and I decided to step out for some fresh air and try another kava bar nearby called Hot Wax. They brew a very strong cup of kratom there. I missed going to Spookeasy, a gothic-themed kava bar that was near The Orpheum and the place my wife and I would usually go to between acts at a concert, but from what I hear they’ve been having trouble staying open due to the fire marshall guidelines. And we were going to make it back to the Crowbar to see She Past Away, as I had actually resolved to see them, but my in-laws who were watching my son needed us back because he was getting sleepy and needed his mum. Sooo it just didn’t happen. A bit disappointing, but that’s parenthood; I love it, but there are sacrifices you must make. I was lucky I got to go, and I enjoyed what I did get to see.



I wonder what concerts await me in 2022. I know that The Midnight is coming to Orlando in April, I would love to go, it’s just a matter of having the funds and arranging for a babysitter. I’m going to do a travelogue about the rest of this little trip very soon, I just wanted a separate blog entry for the concert itself. 




Edit: Someone put Twin Tribe’s whole set from the show on YouTube, so if you want to have a listen, enjoy. It’s a much better view than I got.