Sunday, June 28, 2020

Review: The Sweet Cherry Publishing Oz Books


So back when I was first getting into the Oz books, I was a lot less knowledgeable about what the best published versions of the books were and how many different editions there were to choose from. I was at Costco and saw this box set of Oz books for sale there; 15 books in a colorful and attractive box for around $50, which if you break it down to price per book seems like a good deal. It was wrapped up in plastic when it was at the store so I didn't get a chance to pull a book out and actually take a look at it. It was an impulse buy. One that I kind of regret now.


I mean look at this pretty landscape. I know that looks more like just a castle than an entire Emerald City, but these are things you don't always think too deeply about when you impulse buy. What I should have done was had a look at the book spines.


You'd have to look closely to see it, but the problem is apparent right there; these are not the original illustrations. Mind you, that's not necessarily a problem in and of itself. There have been some amazing illustrators besides John R. Neill that have illustrated Oz books, such as Greg Hildebrandt, Eric Shanower, and others. However, those artists all seem to have at least a basic understanding of human anatomy, among other things. Each book only has two illustrations total, leaving the pages rather empty except for text. The artist who did these can draw landscapes and inanimate objects pretty well, but when they try to draw people...you'll see what I mean in a moment. Let's have a look at some of these covers.


Ahem...yes. This is supposed to be Ozma. What have they done to you, my princess?! I know Ozma was actually said to be blonde in her first appearance, so maybe we can at least excuse that aspect of the artwork. Let's have a Neill illustration for juxtaposition.

I'm not here to bash people. I know I couldn't draw like Neill. Now there's nothing wrong with having your own unique art style, and perhaps it's not entirely fair to compare someone to a master artist like Neill. But the comparison is inevitable when he was the original illustrator of the book and was replaced in this edition. Neill's art is public domain now, they could have just used that and not had to pay anyone a dime, yet for some reason they hired someone to do these. Let's have a look at the back of Ozma of Oz here.


Here's Dorothy. Note how those uneven, differently-sized eyes pierce the viewer's soul. Note how her head makes up about one third of her total height. Let's see how Neill drew her.


Which Dorothy do you prefer? I dunno about Neill's Dorothy here, her eyes are too even and they're not looking directly into my soul. I don't feel like she's gazed into the abyss as long as the Sweet Cherry Publishing Dorothy. How boring.


Speaking of The Road to Oz, here's the Sweet Cherry Publishing cover. This is their interpretation of Polychrome. She's probably supposed to be dancing, but I think she's stuck in this awkward position because her head is too big for her neck and back to support. Let's have a look at how she was originally drawn, and compare.


Nah, I don't think Neill's Polychrome is big-headed enough. She's too realistically proportioned. It just doesn't do it for me. She needs to have more scoliosis.

Here's the back of the book:




Poor Button-Bright. The book never mentioned that when the Fox King changed his head into that of a fox he also made the head twice as big as the rest of his body! How awful that must have been! I can't imagine why Baum left that detail out.

The back covers all follow the same formula. A creepy illustration, and then a random quote from the book that usually isn't at all plot relevant and was picked seemingly at random. We get a brief synopsis, and then they always end their description with a "suspenseful" question. I suppose I can sort of forgive them for asking "Will they manage to get to Ozma's party in time?" because really, that actually is all that was at stake in The Road to Oz. It's not exactly a book that keeps you on the edge of your seat. But I think it's possible to have done better. "Will Dorothy and her friends reach Oz, or will they succumb to the many perils along the road to Oz?" Or how about "On this bizarre and surreal journey down the road to Oz, will Dorothy and her friends ever return to Kansas?" They should have tried to jazz it up a bit, make it sound more interesting.

Anyway, let's look at the back of Tik-Tok of Oz.



Now, does that quote tell you anything at all about the story? They must have just picked a random sentence from the book. And I love to think how their suspenseful question would sound to someone who's never read the book before. "Will they ever find Shaggy Man's brother?!!" Oh no! Will they find Shaggy Man's brother?!! I'm biting my fingernails in anticipation. And why the jab at the "failed" Army of Oogaboo in the synopsis? That seems uncalled for, as they were still trying to take over the world when they met up with Shaggy Man and Betsy. As impossible as their goal was, they hadn't failed at it yet.

Oh, and by the way, here's how Betsy Bobbin and Hank the Mule originally looked.



*Yawn* Ho hum. How dull. Her head isn't even wider than her shoulders. Where's the fun in that? Does she have microcephaly or something?

Let's have a look at another noteworthy cover.



Welp, I know what my sleep paralysis demon is going to look like tonight. I'm pretty sure there's never been a book where the Scarecrow was said to have button eyes. He's always had painted eyes. This must be how the Scarecrow in the Dorothy Must Die series looked.

And let's look at one more cover.



Perhaps this cover is the worst of all, not because of the art itself but on principle. At least the others tend to follow canon (other than the button-eyed Scarecrow). You could argue for a blonde Ozma, after all. But you see the color of those slippers? Doesn't look very silver, does it? You could almost describe it as...ruby! Did they not read the book? I wonder when Warner Bros. is going to sue Sweet Cherry Publishing over this.

Conclusion

Anyway, I have no idea why they couldn't have used the public domain Neill illustrations. This bookset exists to prey on newbies to Oz who've never seen the original books. The set is not for collectors or fans. I already had the original books on Gutenberg.org to compare them to when I bought this set, hence my extreme disappointment. I should have sprung for the Books of Wonder ones, or a multitude of others that use the original illustrations. But, I already have these, so getting better editions is a bit low on my financial priorities right now. I'll probably just give these to my son when he's a bit older and not worry about it if he wrecks them. My advice: avoid this Oz box set. The originals are available for free online anyway, and if you really want hard copies, you can do better than this and still not break the bank.

Monday, June 22, 2020

Suren’s Meme Hall of Fame





            You may not have known this about me, but I sometimes attempt to make memes. I can’t exactly vouch for how good I am at it, but just like with writing and art, every once in a while, inspiration strikes like lightening and I make one. I started up again recently after joining far too many Facebook groups centered around making memes with screencaps taken from animated movies. Some of these groups have what’s called a “meme tax” where they require new members to post memes instead of just lurk, giving me the kick in the pants needed to come up with something. I probably could be doing something more productive with my time, but it’s only a waste of time if you’re not enjoying yourself, right? I also do it to help keep the fandoms of relatively obscure films alive. A lot of them are autobiographical, others are just something funny I came up with.


These are the Facebook meme groups I’m most involved in. I’m in several others, but I mostly just lurk in those, or haven’t been that inspired to meme in them yet.

An American Tail: Fievel Goes Westposting

Fern Gully Hexposting

Flapperwingamathing Posting (dedicated to Once Upon a Forest)

Great Mouse Detective Flammerhangerposting

Anyway, let’s have a look at some of my masterpieces, shall we?


Here, a scene from Once Upon a Forest illustrates the Great Middle Eastern Food Fight, in which no country can agree on who invented what food. Psst...Armenians at least invented lavash, dolma and lahmajoon..don't tell the others I said that.


I have political opinions, yet I can't stand arguing, which makes me hesitant to ever share them, especially on a place like Facebook. I really don't belong on the internet, do I? I'm glad none of my blogs thus far has triggered an argument. Not only are internet arguments typically pointless and never change anybody's mind, but they're stressful as well. Hence, I avoid them when I can.




This one's based on a true story. I can't handle hard video games, as I mentioned on here recently.



I chose that song because this was for the FernGully group, but yes, my musical tastes do have a softer side, occasionally.


I'm not the first person to do a meme about this, but it had never been done to this template before, which I created by the way. 


Me sharing a blog I wrote about my top three songs of the month.



Tanya here is me anytime I say anything on Facebook.


I did this one recently, after a bunch of teens ruined a Trump rally by reserving tickets. Very topical.


And here's another one for the topical section. I've never actually done this, for the record.


2020 may have ruined some of my plans, but it created also new ones. Still, I couldn't resist jumping on this bandwagon.


I made this after losing something else, but used "keys"as a relatable stand-in.


This hasn't actually happened to me yet but I'm sure it will eventually.


Other people in the FernGully group get deep and autobiographical with their memes, so I decided to use this format to tell the story of the end of my teens and how I stopped caring about what others thought of my tastes in cartoons. I'll probably do another blog about that moment in my life one day, but re-watching An American Tail at age 18 for the first time in many years was really a big turning point for me; the first step in healing over the bullying I endured in Middle and High School.

Anyway, that's all for now. Maybe I'll do a part 2 to this in the future.

Saturday, June 20, 2020

The Sun – A Solstice Playlist Dedicated to Our Nearest Star - Mix CD Reflections






            More people should see the Sun the way it looks in this picture. It really puts our reality into a different perspective. Here’s a fun thing you can look up. Go on Google and ask it “What’s the nearest star to the Earth?”



It gives you Alpha Centauri A, which is 4.3 lightyears from Earth. Is the Sun, a mere 93 million miles away, a joke to you, Google? Is it because we subconsciously as humans don’t put the Sun in the same category as the rest of the stars, even though it is a star? By the way, I love watching videos where someone attaches a camera to a weather balloon and lets it fly into the upper atmosphere. It nearly gets to the vacuum of space before popping. When you see the sun up there, against a black background instead of blue, and you see other stars in the sky, it makes you confront the fact that the sun is just another star. A closer one to us, but a star nonetheless. Why do we categorize the Sun differently? 

The ancient Armenians considered themselves the Children of the Sun; as did the Incas, and the ancient Egyptians, and countless other cultures, separated by centuries and continents. The vast majority of religions ever followed by humanity have the Sun as their central deity. It’s true though. We are the children of the sun. We exist because of the Sun. The atoms and molecules that make up our bodies come from the Sun, formed in the same gas cloud as the Sun eons ago. We forget this due to modern materialism, which postulates that the sun is nothing more than an uninteresting, unremarkable flaming ball of gas. Not many people really stop to contemplate the Sun or be grateful to it. It’s been objectified, despiritualized and taken for granted. It simply is. Yet we rely on it in uncountable ways.

            I myself have had a somewhat troubled relationship with the Sun over the years. I like darkness. The Sun bothers my eyes, and I dislike heat and get sunburned easily. I prefer night to day, and winter to summer. But in the last couple years I’ve been grappling with existentialism, the meaning of life, and contemplating the universe I’ve found myself in, as well as my own existence. You could call it an existential crisis, but I view it more as an awakening. I discovered the hypothesis of panpsychism, which postulates that the stars have their own consciousness and are in a sense alive, and the epiphany was mind-blowing.

            Here’s an article explaining panpsychism, and here’s short YouTube video where the theory is discussed. 

A star has a life cycle; it is born, it builds itself and grows just like an embryo, reaches maturity, grows old, and dies. Most scientists rely on the hypothesis of dark matter to explain why stars defy gravity, expanding the universe when gravity ought to be making the universe contract, and why stars move faster around their galaxies than should be physically possible. But there’s no proof of dark matter’s existence. Who’s to say the stars aren’t moving of their own volition?

I see the Sun as my oldest living ancestor. Panpsychism can’t be proved nor disproved and likely never will be, which is why it's likely to be labeled a pseudoscience and not taken seriously by the scientific community. But I feel that I’ve faith in it. Almost a sort of religion, I suppose, based both in modern science and ancient paganism, whereas the Gods are more like symbolic personifications of real ideas and concepts. But really, I view it more as an interpretation of reality, or a philosophy. And one guess is as good as another when it comes to interpreting this bizarre reality we’ve been born into. I’m not dogmatic about it, I could even change my mind entirely down the road. But the ancients always believed the Sun has a consciousness. Ra, Apollo, Aramazd, all the Sun Gods are different representations and interpretations of the Sun by different cultures. Why do children tend to draw a face on the sun? Could it be that we’re all inherently aware of the sun’s consciousness somewhere in the back of our minds, until modern society convinces us it’s not true? If the Sun does indeed possess a consciousness, it would be something that we couldn't even comprehend. Perhaps the sun is hyper-aware of all that its rays of light touch. Are we as lifeforms merely extensions of the Sun’s consciousness? Are we not all a part of the Sun, in some way? 

 In appreciation of the Sun, I’ve put together a mix CD in honor of this year’s Summer Solstice. It could be considered a sister mix to the one I did about the Moon. Each song is either about the Sun or mentions it somewhere in the lyrics. The playlist takes the form of a day; at the beginning is a song about dawn, and near the end are songs about sunset. Each song was relevant to me at some point in my life. It crosses genres.  

I tried my best to rebuild the playlist on Spotify for anyone interested. They had most of the songs, but not all.



Rammstein – Sonne
“Hier kommt die Sonne.”
            This song is one of the best odes to the Sun I know of. Although entirely in German. It's about the rising sun, how it is the brightest star in the sky. I always liked the angelic feminine vocals that accompany the song. It brings to mind light.

Pink Floyd – Set the Controls for the Heart of the Sun

            As a Pink Floyd song it has a psychedelic quality to it. It’s the song that makes me think about the actual Sun as a star in space, and contemplate what a remarkable thing the Sun really is, as well as the mystery surrounding its purpose in the universe.

“The moon, the sun, and the astral kiss.”

            This song also has a spacey energy to it. I don’t know what an “astral kiss” is. Perhaps it refers to an eclipse. But it is a great concept. Very poetic. I couldn’t find it on Spotify, unfortunately, but three of La Scaltra’s albums are on there.

Holygram – She’s Like the Sun
“She’s like the sun, far away.”

            If the only thing that the woman in this song has in common with the Sun is that she’s far away, I don’t think she’s very much like the sun. Is she 93 million miles away like the Sun? Anyway, I do like this song a lot.

“At the first day of life you were blinded by light, don’t believe the Sun.”

            A lot of And One songs, especially the English language ones, are just word salad, it’s hard to find meaning in them. But I think this song is about how the Sun is a constant throughout your life. It mentions stages in your life from birth to death. It may even mention reincarnation in the lines “So you die and you’re dancing in the tunnel of light, don’t believe the Sun. At the first day of life then it shines so bright and then, you realize you’re born again.” Kind of goes with my theory that your soul is part of the Sun and returns to the Sun after death to be recycled into another lifeform.

Another song missing from Spotify, sadly.

New Order – True Faith
“I used to think that the day would never come, that my life would depend on the morning sun.”

            I don’t really know what this song is about exactly. But it is interesting when someone talks about a “morning Sun” as if it’s separate from a “noon Sun” or an “evening Sun”, even though it’s the same star. I suppose the Egyptians had more than one Sun God, Horus representing the morning Sun and Ra representing the evening Sun. It’s like when someone says “look at that moon!” as if there’s more than one. It’s funny to think about how other human beings look at the Sun and Moon.

Stratovarius – Eagleheart
“Heart of an eagle he flies through the rainbow into a new world and finds the Sun.”

            Here’s another song I don’t know how to interpret. But, the lyrics are very poetic. I think the singer must have been making some sort of metaphor.  The mention of rainbows is a good lyric to bring up, as a rainbow wouldn’t exist without the Sun.

The Bambir – Արև է Ելել (The Sun is Up)

            The Bambir is an Armenian folk rock group, and this song, translating to The Sun is Up, is dedicated to the Velvet Revolution of 2018, when the people of Armenia organized a massive peaceful protest and forced the Prime Minister Serj Sargsyan, known for his corruption, to resign. The Sun here represents hope and optimism, the end of a long dark night that began with the fall of the Soviet Union.


Dishwalla – Counting Blue Cars
“Must have been, late afternoon. On our way, the Sun broke free of the clouds.”

            This is a song from my childhood in the 1990’s. It’s very emotional, I get nostalgic and teary-eyed sometimes if I listen to it in the right mood. The line above is some great use of imagery, I can see the image in my mind when the singer describes it. And the main chorus says “Tell me all your thoughts on God, ‘cuz I’d really like to meet Her.” Interesting pronoun choice, but I have no qualms with it. I’m at the point now where I think of the Sun and stars as Gods. Those are my thoughts.

“September sun, blowing golden hair.”

            Nice use of imagery in the lyrics, but I don’t know if the sun really “blows” anything, does it? Anyway, you can’t go wrong with throwing Type O Negative on the mix. This is one of their characteristically dark and beautiful songs. September is when the Sun seems to wane, as the northern hemisphere tilts away from it. The sunlight almost has a different color tint to it in the autumn. 

            And this song is missing from Spotify! How? I think the whole album it’s on is missing. Maybe that will change eventually. As an aside, making this playlist made me realize whether or not a song can be found on Spotify doesn't necessarily depend on how obscure it is. 

Voltaire – All the Way Down (Cave Canem Demo)
“The sun goes down, as children listen. All the way down.”

            Now we get the songs about the sunset. This song is a beautiful one, which makes the connection of sunset with death. I listened to this song when my grandfather Dean passed away, and it tends to make me think of him, even though I don’t think he would have ever heard this song himself. It’s kind of my private tribute song to him.

The Midnight – Sunset
“Sunsets, no regrets, first chance last dance stuck in the middle.”

            This is a song about just packing up and leaving everything behind with your significant other to start a new life somewhere else. You don’t usually see sunsets being used as a metaphor for new beginnings, that’s usually more of a dawn thing, making this song unique in that regard. It’s a great song.


The Jetzons – When the Sun Goes Down

            Another song about the sunset. I’ve talked about this obscure early 1980’s New Wave band before, and their connection with the soundtrack of the video game Sonic the Hedgehog 3. It’s been theorized that this song served as the basis for the Marble Garden Zone.

The Kentucky Vampires – The Falling Sun

            Everyone’s favorite Kentucky goth rock band besides Scary Black. I don't have a whole lot to say about it. The songs get darker from here on in, and this song helps the transition. There's a certain science to making playlists that flow well, you see.

Svetlana Mart – Moon Eclipsed the Sun

            I mentioned this song in my top 3 songs of June. It’s a catchy little number about casting spells during a solar eclipse. I’ve witnessed one solar eclipse in my life, it was that famous one on August 21, 2017. In Florida it was only partial, but the sky got dimmer, it got less hot out, and the sunlight in the shadows under trees became crescent-shaped. It felt like I was wearing sunglasses but I wasn’t. It was pretty surreal. I don’t know if I’ll ever get to see a total solar eclipse. But I would love to one day.

VNV Nation - Further
“The sun was born, so it shall die, so only shadows comfort me.”

            This is a great song about existential nihilism. Earlier in the song it asks “When the sun burns out, will any of this matter?” These are questions I’ve been tackling recently. One day the Sun will expand into a red giant, likely swallowing the Earth in the process, but not before all of Earth’s oceans boil away. Who will be around to talk about humanity then?

SYZYGYX – The Dying Sun

            This song is nearly an instrumental if not for some vocalizations by the singer here and there. The dark imagery that the instrumental brings to mind is of the Sun as a red giant in billions of years, scorching the solar system and engulfing the inner planets. Will life exist in the solar system at this point? Perhaps its doubtful; I don’t really hold much hope for the human race to last more than a few hundred more years myself, but perhaps I’m being too pessimistic. I also like to think that life takes on more forms than scientists currently think. Perhaps every planet has its own type of life. But, I don’t base that on any actual evidence. It’s just a thought.


            This short instrumental which I wrap the playlist up with samples the female vocals from Rammstein’s "Sonne", giving the playlist a good bookend. Like the cycle of day and night, it ends where it begins.




Friday, June 19, 2020

Super Smash Bros. Ultimate – Is it really the “Ultimate”?





            Let’s rant about video games! I know if I was going to jump on the internet video game reviewer bandwagon I should have done it back in like 2007, but I’m going to review video games from time to time on this blog anyway, when I feel inspired to. I am no longer the avid gamer that I once was in my youth, being busy with adulthood and all that, but I like to play when I can.

 I’ve been playing Super Smash Bros. since the first one came out in 1999 for the N64, and for the next two installments, subtitled Melee (for the GameCube) and Brawl (for the Wii), I felt that it was always a big improvement over the previous one. Not everyone would agree that Brawl was better than Melee, however; in fact, a significant amount of people wouldn’t agree. And many of these people are members of the elitist tournament community; hardcore competitive Super Smash Bros. players who generally hate the use of items, stages with hazards and gimmicks, and the “Final Smash”, which in Brawl where it was first introduced, could allow someone on the verge of losing to still KO their opponent with a devastating move. Basically, they hate anything that could level the playing field for someone with less skill than they have, sucking the fun out of the game for casual players. Despite them being a minority, albeit a vocal minority, for some reason Nintendo listens to these people. And I think this is one big reason why I felt underwhelmed by Super Smash Bros. Ultimate, although not the only reason. (And if any of these hardcore players should discover this blog, sorry for any offense, and yes, I admit you could easily defeat in Super Smash Bros. in mere seconds without any items and on a plain fighting stage, hooray for you and your ego.) Another cause for my disappointment would be mainly laziness on behalf of the developers when it comes to story mode and other aspects. I’ll get into both of these causes in this review. I must let it be known that I missed out on Super Smash Bros. for Wii U (they really couldn’t have given it a more creative name?), so I’m mainly comparing Ultimate to Brawl; two games with ten years between them.

            Now Ultimate, on its own merits, is still a fun game, and it can still be addicting. I’ve been playing it almost every day for the past few weeks (in brief spurts, while the baby is asleep, ah parenthood, the gamer’s nemesis). It brought back a lot of old stages I hadn’t seen in a long time, with enhanced graphics. It also added some new characters that I’ve grown fond of as I’ve played, even if I sometimes have no idea what game they’re from because I’ve been out of the loop for so long with video games (comes with getting older, becoming a parent, having less money to waste and getting less for your birthday/Christmas). But I would have expected it to improve on Brawl the way Brawl improved on Melee and Melee improved on the original. I didn’t really find that to be the case. I found it to be a step backward in some respects. The extra characters and stages are perhaps the only thing Ultimate has over Brawl; and that being said, even a lot of the characters are unnecessary clones. These are some of the ways I feel Ultimate falls short compared to Brawl.

Story Mode


            The story mode for Brawl included beautiful cutscenes and full 2D platforming levels reminiscent of a game from the 16-bit era but with improved graphics. The story wasn’t the greatest, mind you (I was never a fan of the whole “the characters aren’t really the actual characters they’re just trophies” aspect), but at least it had a story. Ultimate’s storyline is…you get dropped in the middle of the action while these two entities of light and darkness are fighting…for some reason...and they go after all the video game characters…for some reason…and they’ve created evil copies of the video game characters…for some reason…

I mean I beat story mode and I still don’t get what the plot was supposed to be. Nothing’s really explained. I could probably go look it up, but should I really have to? Would you watch a movie where after watching it you had to have the plot explained to you by a Google search? And there’s so few cutscenes. I’ve beaten it once, so there may be more if I beat it again and do one of the other possible endings, but I only saw about two main cutscenes at the beginning and at the end. Very lazy when a game from ten years earlier has more cutscenes, and better ones. The story mode consists of just battles, no side-scrolling levels or anything like Brawl had. The battles all have gimmicks. Ultimate introduced something called “spirits”, which are just stock art of various video game characters that you collect and they give you different perks (such as start the battle as giant, stronger sword strikes, higher jumps, etc.), helping you cheat against computer players that are also using spirits and cheating. It reminds me of the days of Game Genie and Game Shark. You mainly just have to out-cheat the computer by selecting the right spirits to counter theirs. There’s a limit to how many spirits you’re allowed to use at once, stopping it from becoming too cheap. It’s kind of fun, but is it really necessary? Brawl has a similar concept in their story mode, with “stickers” that gave your characters perks, but it was less central to the overall game. Trying to get the stickers to fit inside the circle they gave you did always annoy me in Brawl, so I do think the Spirit system they came up with is superior to that. But really, I don’t think it should have become the whole point of the story mode. I like plot.

Classic Mode


            A pro for Ultimate here is how personalized Classic Mode is for each fighter. Some of them were quite unique and fun. But a con is only having one, rather dull bonus stage where you collect light orbs while running from an advancing black hole. Older Smash Bros. games had two or three bonus stages, with things like shoot the target and such. Brawl and Melee were more varied in that regard. And I hate fighting both Master Hand and Crazy Hand at the end of the mode, which almost always happens. But that’s just me being a wimp when it comes to game difficulty. Sometimes you get different bosses at the end, but like 8 times out of 10 it’s those damned hands, ruining a perfect run by killing me and making me lower my score to restart.


Character Roster


            Well, it was nice to see some old favorites come back who were left out of Brawl, such as Roy, Young Link, and Mewtwo, who in particular a lot of people missed, and his absence was a big reason some people didn’t like Brawl. As an aside, I personally have always been indifferent to Mewtwo, but that’s because of my aversion to Pokemon back when it was at the height of its popularity. I was just fine with his replacement in Brawl, Lucario, who I gravitated toward thanks to his resemblance to the God Anubis. I never bought into the mystique of Mewtwo. I know, blasphemy. Anyway, I digress. It was cool to have Pac-Man and Mega Man appear. I’m a big fan of the Fire Emblem series so it was cool to see all these characters from that series (although even I’ll admit, perhaps there were too many Fire Emblem characters). I do wish they had fewer sword-wielders from Fire Emblem as the game always features a variety of weapons such as bows, lances and axes, and I wish they had more characters from older games instead of just shilling the new ones. For example, Lyndis has been an assist trophy since Brawl, I’d like to see her as playable as I loved the game she was from on the Game Boy Advance (although she’d be yet another sword-wielding character). Soren from Fire Emblem: Radiant Dawn and Path of Radiance is another character I’d rather see (for obvious reasons, if you know my name). 

However, some of the additions are questionable. Most notably, “Dark” Samus and “Dark” Pit. They’re the same character as normal Samus and Pit, but darker and edgier. It was fine when Pit had a black alternate costume in Brawl, it didn’t need to be a whole separate character. Even if they appear in the original games somewhere, it’s just not creative. The “dark version of the hero” trope is so overdone. They could have used that slot for another character from their games. There must have been someone more worthy of those two slots. There have been complaints about clone characters going back to Melee. You would think by this time they would have taken action to curb the complaints, but Ultimate has more clones than even Brawl. A lot of the Fire Emblem characters handle almost the same, the Castlevania characters are almost the same in terms of their move set, the Street Fighter characters too, etc. Then you’ve got characters that most likely no one asked for, like the Duck Hunt dog. The Ice Climbers were other characters like that, who almost no one had heard of before they appeared in Super Smash Bros., so it’s not like that’s unique to Ultimate, but it’s still a point against it. I don’t think there needed to be more than one character from Animal Crossing either, but maybe that’s just my personal preference. I groan whenever I pick random on character select and get an Animal Crossing character. They’re some of the weakest ones.

            Another aspect I’m a bit sad about is that there’s DLC. I’m old fashioned, I think if you buy a video game you should get the entire game. Many game companies will release an unfinished game and try to squeeze more money out of consumers to get the rest of the game. That Nintendo is getting on board with the DLC trend is troubling. We have extra characters who are essentially behind a pay wall. I ended up paying to get Byleth from Fire Emblem: Three Houses (a good game that I also own, although not my favorite Fire Emblem title), but that’s the only character I plan on getting, unless they bring in Tails from Sonic the Hedgehog or Waluigi, a character I actually like instead of someone I've never heard of. The DLC isn’t as out of control as it gets in some other modern games, as the game is still perfectly playable without the DLC and has plenty enough characters, but I still don’t like that it exists.

            In short, even though it has more characters than Brawl, the roster was inflated with characters that are clones of one another, or useless joke characters you don’t want to play as unless you want a self-imposed challenge. If I didn’t complain about a character here it means I’m okay with them. In particular I like this new version of Princess Zelda. I do have a private wish for more Sonic characters (I mean, other third party games got multiple characters), but that’s just me being a Sonic fanboy.

 The “Final” Smash

           
            The Final Smash was introduced in Brawl. Basically, if you can break this neon-colored “smashball” that floats along the screen you can perform a special move that will usually knock out your opponent, most of the time. I’ll admit some of them could be cheap (Sonic’s “Super Sonic” mode let you fly, be invincible and deadly to the touch for an overly long time, and that damned giant tank the Star Fox characters got always pissed me off). They could have just changed these extra cheap final smashes. But in Ultimate, the “final” smash has been weakened to the point where it shouldn’t even be called final anymore. You’ll rarely if ever KO anyone with it. In Ultimate, you don’t have to necessarily break a smashball to do it anymore, you can do it after this final smash meter fills as you fight; which is annoying, as it essentially lets a player who’s gotten the upper hand on you kick you when you’re down. The final smash originally leveled the playing field, but this undermines that purpose. There didn’t need to be a meter. The smashball still exists, so you do still have a chance if you’re on the losing side. It has been accompanied by a completely unnecessary fake smashball that explodes if you break it. Once you’re able to tell the difference between a real and a fake one you’re never going to go after it anyway. So why does it need to exist?

Also, if you don’t know exactly how a character’s “final” smash works you’ll likely miss your target. Even if you do know how to use a character’s final smash, you’ll often miss anyway because it’s easier to get out of the way with most of them. They don’t all require precision, but a lot of them do. They’ve been weakened so much that there’ve been times where even when I have connected with it, it only ended up doing about 10% damage. They usually survive. It’s almost always completely useless unless your opponent is already on the verge of being KO’d. I have a sneaking suspicion that Nintendo listened to the competitive Smash community who like to suck the fun out of everything they touch, and watered down the final smash in order to appease them. Can’t have these filthy “casuals” stand a fighting chance against these superior warriors that forgo having a life outside of competing in video games. You know, I play games for fun. I don’t like overly-difficult games. I admit it. So what? I’m hardly alone in that. Couldn’t they have just made a separate Super Smash Bros. game for these hardcore people that think fun is for the weak, and a regular one for the more than 90% of the rest of the players? Ah, but there’s an even simpler solution. In Brawl if you were one of these anti-final smash elitists you could simply switch the smashball off and not have it. And that was just fine. No one had a problem with that. There was no need to water down the final smash to appease the elitists who can’t handle losing to normies.
           

Stage Builder


            I have such fond memories of the stage builder in Brawl. I built labyrinths, themed stages, little torture chambers with spikes and conveyor belts. It was fun. Especially when I found this program that allowed me to hack the stage builder and build what I wanted without limits. Thus far I’ve been disappointed by Ultimate’s stage builder. No spikes, no drop-blocks, no conveyor belts, no thin ground that you’re able to pass through. You can make things in any shape you like, in a program that kind of reminds me of MS Paint, but I miss the old features. I suppose you can now substitute spikes for lava, wind on an ice surface for the conveyor belts, and moving or exploding blocks for the falling blocks. Plenty of music to choose from too which is nice, but I don’t know. It’s just not the same. They’ve gotten rid of too much. I don’t know why either. But again, maybe I just need more practice in stage building. I’m going to gradually try to rebuild my old custom stages one by one and see if I can get it close to the original. I might be able to make stages as fun as the ones I did in Brawl. Let me illustrate by showing you some of my classic masterpieces from Brawl, and what I was able to come up with in Ultimate.


These are some of my hacked stages on Brawl. Let's have a look at the Painstation 2.

Look at this beautiful torture chamber! Mwahaha!

This was one of my Labyrinth stages. I tried my best to replicate it in Ultimate below.

There's no dropping blocks, but I can make the walls move now, which is a plus. 

And here's the Painstation 3. No spikes, but at least we have lava.


No Real Payoffs


            This is a more minor qualm, but I didn’t feel like there was much of a payoff for beating story mode and classic mode. I went through as every character in classic mode, thinking I’d get something, but I got nothing. For a while when you play classic mode you get challenged by a new fighter at the end and if you win you unlock the fighter as a playable character. But after you unlock all the fighters, it’s like what more is there? Where’s the replay value? If I remember in Brawl, I was still unlocking stuff a year or even two years later. I haven’t had Ultimate very long but I’ve already almost unlocked everything.


No Explanations for Who These Characters Are


            The first three Super Smash Bros. games had intricate profiles on each character. It would tell you what game the character originates from, and briefly explain their backstory. In Ultimate all you get are little snippets of information on each character, and you have to really dig through the menu to find it. I still don’t know who these ink kids from Splatoon are, or who each Fire Emblem character is, or what’s the deal with that Tasmanian Devil Pokemon, Incineroar or whatever. I don’t know why they chose to forego that this time. It’s similar to how none of the Nintendo Switch games I’ve had so far include an instruction booklet. Did they figure just because we can just look things up on the internet now, they don’t need to bother with it?

Conclusion


            So, these are the main reasons I think Super Smash Bros. Brawl was overall a better game. A lot of this comes down to personal preference, as I’m the type who likes items, final smashes, and complex stages. And the story mode in Brawl had a lot more effort put into it. Ultimate removed a lot of what made Brawl so great. Again, perhaps some of these changes date back to the Wii U Super Smash Bros. that came out between Ultimate and Brawl. But still, you’d expect a game that came out ten years later to be an improvement in most if not all aspects over a game from ten years prior. Not really, in this case. It’s still a fun game on its own, like I said, but in comparison to Brawl, it was a bit disappointing.




Monday, June 15, 2020

1987 in Music



            Yes, I’m doing one of these again! Been a while. I took a long break from them to work on higher-priority projects, but now that I’ve worked on them for a while, I think I can take a short break. I’m probably going to keep this rather short and sweet though; not every song is getting a little essay to itself. Let us continue into the late 1980’s with a look into the year 1987. 

1987 in Culture




            The year brought us classic films such as Robocop, The Lost Boys, The Princess Bride, Spaceballs, the third and my favorite A Nightmare on Elm Street movie Dream Warriors, and Evil Dead 2, my favorite of that franchise. So, it was a year that proved sequels don’t always have to suck. The year also debuted the first Teenage Mutant Ninja Turtles cartoon, which to me will always be the true one, only rivaled by the 1990 movie. We also had the debut of Duck Tales, which my later political leanings have made impossible for me to really enjoy anymore as it glorifies greed and billionaires, but I must admit I liked it as a child. And it did lead to higher quality television animation. This was also the year Hulk Hogan fought Andre the Giant at WrestleMania III, although really, the best match that night was Macho Man Randy Savage vs Ricky Steamboat, as any fan of the athletic side of professional wrestling will tell you. Also that year was the first Survivor Series pay-per-view, which I just so happen to have an original VHS release of, pictured above! It’s my oldest wrestling tape.

            Discussing all this kind of makes me wish I’d been born earlier so I could have enjoyed it. I was busy sucking on pacifiers and soiling diapers while all this was going on.

1987 in Music


 

            My favorite album of 1987 is New Order’s Substance 1987, which being a collection of singles released in earlier years might be a slight cheat, but it contained a lot of remixed and reedited versions of older songs, so it wasn't entirely unoriginal. My top 3 songs of the year are “Behind the Wheel” by Depeche Mode, “Shell Shock” by New order, and “Just Like Heaven” by The Cure. A bunch of my favorite bands of the 1980’s seemed to be sitting 1987 out for whatever reason, making it hard to fill up this playlist. But, I succeeded in filling a blank CD with songs I at least thought were okay. There was only one song that wasn’t on Spotify, meaning this will be one of the more mainstream year mixes I’ve put together.


Spotify Playlist


New Order – Shell Shock

            It was difficult to choose just one song from New Order’s Substance 1987 to include. “Temptation ‘87”, and perhaps their most famous hit “Blue Monday” would also have been worthy additions. Many of the other good songs on the album have been on previous year mixes. This song in particular is something I listen to when I need motivation. “It’s never enough until your heart stops beating.” It strikes a cord in me in a way that the other two songs don’t as much. And with these mixes I like to veer towards the more overlooked songs when I can. It’d be easy to pick “Blue Monday”, but I decided on this one instead.

Depeche Mode – Behind the Wheel

            I first got into this song in 2008, for some reason it took me that long to hear it. But I liked it a lot back then. I guess it’s a song about being the more submissive one in a relationship, and being comfortable with that. Which, I suppose, is how I feel sometimes. There are times when I feel I’d rather not be the one behind the wheel.

Siouxsie and the Banshees – Hall of Mirrors

            This is a cover of one of my favorite Kraftwerk songs. It being sung by Siouxsie meant the gender pronouns were switched, but other than that it’s a faithful rendition. I get the feeling a lot of fans of Siouxsie and the Banshees never heard the original, since it’s such a huge genre leap. Another example of how Kraftwerk’s influence stretched far and wide. It’s kind of strange to hear a more upbeat version of the song with guitars and drums, when I’m used to Kraftwerk’s slower and more trippy version. It’s a song about self-image, or even body dysmorphia. The original song is one of the few that I think captures the feeling of depersonalization pretty well. This version doesn’t capture it in quite the same way. There’s nothing wrong with this version, per se, but it doesn’t quite resonate with me as much as the original.

David Bowie – Time Will Crawl

            I saw that David Bowie had an album in 1987, and picked a song I liked from it, and here it is. It’s like that with a lot of these songs, really. This song is catchy, got some good 80’s sax in it too. Can’t go wrong with Bowie.

Pink Floyd – Learning to Fly

            Pink Floyd was still around in the late 1980’s? Apparently! I always think of them as a 70’s band. It’s kind of the opposite of when I found out The Cure and Siouxsie and the Banshees released music in the 70’s. Anyway, I do remember hearing this song at some point during my childhood, vaguely. It’s a nice, relaxing song. I can’t stop thinking about the Stratovarius song also called “Learning to Fly” when I hear this song (which is probably a lot less well-known than this song), but that just goes to show my musical preferences, I suppose.


This was included on my Moon Mix, and I talked about the song some there. It’s a song about escapism, about being fed up with the world, which automatically appeals to me. It deserves to be less obscure than it is. Spotify needs to get with it and add the song. Beyond Words was a French new wave band. Sounds a lot like Siouxsie and the Banshees.

INXS – Need You Tonight

            Now this is certainly a song I’ve known since childhood. Always liked this one. In fact, it was on my first ever mix tape as well back in 1999. So it was obligatory to be on this mix.

Michael Jackson – Leave Me Alone

            Michael Jackson’s album Bad came out this year. I wanted to pick a song that I grew up with, but is somewhat lesser-known. So this song fit the bill. As a child the music video intrigued me; obviously I was unaware of any symbolism going on in it, as the video and song are about how the press went after Jackson (and still does after his death from time to time).

Pet Shop Boys – What Have I Done to Deserve This?

            This song is outside my usual music preferences, but for some reason I like it anyway. Dusty Springfield sang in this song, who I only really know of because of this song but she was apparently big in the 1960’s. Before my time I suppose. Won’t it be fun explaining 80’s and 90’s music to my son three decades from now?

The Cure – Just Like Heaven

            The Cure was still in their pop phase in 1987, and would return to the dark side in 1989. But I pretty consistently like all their music regardless, even if I do have my preferences for their darker stuff. I wonder if Robert Smith was on really good antidepressants during the mid-1980’s or something. This song reminds me a bit of New Order, in a way. Except for the vocals of course, only Robert Smith sounds like that. Compare this to the song “Cold”.

Echo & The Bunnymen – Lips Like Sugar

            “The Killing Moon” is still my favorite song by this band. This is probably their second biggest hit. It’s alright, I like it enough to include it.

Guns n Roses – Sweet Child of Mine

            Everyone knows this song. My parents were really into Guns n Roses so I heard it a lot growing up. Nowadays I can never stop thinking about those Fat Axl Rose memes from a few years ago when I listen to their music. Poor Axl. Time laughs at all things.



Metallica – The Small Hours

            I went through a Metallica phase in my early teens, as I’m sure I’ve already mentioned on the blog before. They did an album of music they used to play when they were a garage band, and this is one of their lesser-known sings from it. I’ve always liked the creepy feel of this song. It’s a good song to listen to in the middle of the night when you have insomnia.

Gerard McMann - Cry Little Sister

            From the movie The Lost Boys, this song has long since been a goth staple. It was famously covered by Marilyn Manson, not to mention Blutengel, but I’ll always like the original best.

Dead Can Dance – Anywhere Out of the World

           This song rounds out the dark section of the mix, I suppose. Dead Can Dance is a band I should listen to more of. I gave this song a try when I was making the mix, and I like it well enough.

Conclusion

           And that’s the mix, I hope you’ve enjoyed it and might consider reproducing the mix on your own playlist or blank CD. I’ll have 1988 in Music up in due time.