Ayria – Plastic Makes Perfect
Genre: Synthpop
Year: 2013
Year I discovered it: 2013
My last album is Plastic Makes Perfect by the Canadian
synthpop act Ayria, headed by Jennifer Parkin. Ayria is my favorite band with a female vocalist. I have a nice story behind this
album too. Ayria released some singles before releasing the album itself,
namely the song "Hunger", which in 2012 was one of the songs I showed
my girlfriend Deborah when we first started dating. The following June in 2013,
Ayria was playing at the DNA Lounge in San Francisco, so Deborah and I took the
BART train out there from Pleasant Hill and booked a hotel to stay in over
night. It was a perfect night. Project Pitchfork was headlining the concert but
really, I was just there for Ayria. We were probably one of the few who's whole
reason for coming to the concert was Ayria, but still. The venue was nice, it
was my first time really being in a gothic atmosphere, something I would get to
experience more often in Florida when I went to The Castle nightclub. Ayria
sounds just as great live as on the album, which can't be said of all singers. After
the concert I bought this very album. The one that I got was a deluxe edition
that had the album itself, and then two more discs of nothing but remixes of
the songs, which are hit-or-miss but nice to have. It also contained a poster,
and some cards and stickers. I had singer Jennifer Parkin sign it and she gave
Deborah and I a hug. She was very nice and approachable in person. I'm just
waiting for her to come down to Florida for a concert. The album just reminds
me of that perfect night with my then-girlfriend now-wife.
I first discovered Ayria in 2010 when I ran across “The
Gun Song” on YouTube. This was off her 2008 release Hearts for Bullets,
which I bought a little later after hearing and enjoying more of Ayria’s music.
Ayria quickly became the other band of my 20’s, second only to And One. You
could say I should probably be talking about Hearts for Bullets on this
blog, since without it I wouldn’t have gone to the Ayria concert and purchased Plastic
Makes Perfect, but eh, I just have more memories tied to this album. Ooky
Spooky wasn’t the first Voltaire album I had heard either or else I would
have reviewed The Devil’s Bris. And I’m torn between Plastic Makes
Perfect and Ayria’s debut album Debris as being my favorite Ayria
album, to be honest, if we’re looking purely at the music and not the memories I
have tied to the music.
The first track is “Hunger”, which as I stated I heard
before this album even came out. It’s a song about being dissatisfied, hungry
for more, and about losing the taste for all you loved. Depression will do
that. I’ve gone through hard times where I just lose the desire to write, I
lose my love for music, I just have all of the joy sapped dry from me. I’ll never
forget the message Jennifer Parkin wrote on the inside of my CD case, lyrics to
this song. I know she probably wrote the same thing on everyone’s CD, but I
take it personally anyway:
“Don’t lose the taste for all you love,” she wrote. You know why
I started this blog, really? All the sudden, seemingly out of nowhere? I felt
like I was losing my love of writing. I felt hopeless. I felt like my writing was
never going to reach an audience. It is so hard to get published. Literary agents
get 20 queries a day, and out of that respond to like 10 a year. It’s like
trying to win the lottery, getting traditionally published. You can self-publish,
like I did with my first novel, but without the money to market yourself, you’re
not going to reach much of an audience. I’m too poor to self-publish, the only
people who buy my book is family and friends. I have so much I want to say, but
no one will listen to me. I was afraid of fading away, being forgotten after I’m
dead. My dreams were unattainable. So I decided, screw it, I’ll write what I
want to say and I don’t care if I don’t make any money off my writing or if
only five people end up reading it. I can’t give up. Writing is what I was born
to do. I can’t lose the taste for what I love. If I give up writing, I might as
well give up living. Sadly, I was born too late to be able to make a living off
of writing. There’s too much competition, all the publishers care about is if
your writing will be marketable and profitable, and my fantasy stories about
ancient Armenia are just too outside the norm for people. They want the next Harry
Potter, the next Twilight, the next Game of Thrones. My books
are none of those things. Nobody cares about the stories I want to tell, no one
but people who know me personally.
Jennifer
Parkin, Voltaire, Mortiis, all of these artists I admire, they are able to make
a living somehow doing whatever the hell they want to do. Perhaps it isn’t easy
for them either, but I so want to be like them. And why can’t I? What am I
doing wrong? Is it society, or is it me? I can’t break through that glass ceiling.
I’m stuck in call center hell with the other lost, broken souls who’ve had
their dreams crushed into dust and blown away in the wind. Destined to be a
soulless robot working for the corporate machine until I’m gone and forgotten.
I need to go
have a good cry right now. Damn it, I hate making myself cry.
Will
all this ever be enough?
I don't want to hunger anymore.
Sometimes I lose my passion, forgetting all I loved.
Is this the best we'll ever know?
All my idols gave up long ago
I'm terrified I'll lose the taste for all I've loved.
I don't want to hunger anymore.
Sometimes I lose my passion, forgetting all I loved.
Is this the best we'll ever know?
All my idols gave up long ago
I'm terrified I'll lose the taste for all I've loved.
The next track, “Big Plans”, kind of continues the theme of the
last track. The singer has big plans for themselves, they’re running away from
their life to the big city where their dreams are going to come true. “This restlessness
can no longer be ignored. Too many setbacks, too many empty nights, stuck in
this place, it just never felt right.” I definitely relate to these lyrics, in
ways I just wrote about. I feel stuck. I’ve had too many setbacks, I’ve been
rejected too many times. These lyrics just hit way too close to home, reading them now. I
didn’t feel this way yet back in 2013.
Anyway, here we go, “All That Glitters”. I think this is a song
about how everyone’s an asshole as a teen, and a lot of people just never grow
out of it.
Been knocked out so many times
I'm scarred and broke and scabbed and bruised
But I'm still standing
And that will never change
I'm scarred and broke and scabbed and bruised
But I'm still standing
And that will never change
Yeah, I got bullied a lot in
Middle School, leaving me scarred for life. But I’m still here. Still alive. I
didn’t let the bullies defeat me. I have a pretty low opinion of humanity in
general though, based on my experiences. The song itself is catchy, but not
really among my favorites. I like the lyrics more than the rest of the song. Still,
it’s a nice confidence boost after the previous two songs. The next track is “Games”,
which I’m not too sure what the lyrics are about. Reminds me of a
sado-masochist relationship or something. Who knows, maybe in ten years I’ll
really relate to it and it will drive me to tears. I don’t dislike the song,
but I don’t really get much out of this particular track.
The
title track “Plastic Makes Perfect” is one I really liked when it came out, and
one of the songs released as a teaser several months before the album dropped. “I
hate that I like you, I hate that I’m like you.” I’ve never really had a
relationship like that with someone, fortunately. I like songs with this kind of low-key angry
energy to it, even if I don’t quite relate to it. It’s also really catchy. “Missed
the Mark” is another song about bad relationships. I had a one-week “relationship”
that barely counts in 2006, a five-month relationship in 2008 that ended before
it could go anywhere, and then I had a girlfriend who I was very compatible
with, married, and we’ve been together since 2012. My love life would make for
a very short book, so that’s why I don’t relate to a lot of these failed
relationship songs. Fortunately, I guess. But they exist for the people who do
relate to them, and that’s a good thing.
“The
Box Under My Bed” is actually a song that ties into all of these blogs I’ve
been writing.
I
love when we sit and do nothing for hours
And put on music that reminds us of our past
The songs we loved since we met
We don't skip the sad songs
Time's gone by
Measured by the melodies that last
And put on music that reminds us of our past
The songs we loved since we met
We don't skip the sad songs
Time's gone by
Measured by the melodies that last
It’s like I’ve been talking about
all along. Music is my life. My mix tapes are autobiographical. When I go back
and listen to the music of my past, it brings back all sorts of memories, good
and bad. Music has such a power. Without it, I would have no memories. If I
lost my mix tape collection, I would have amnesia. I’d forget my whole life.
But thanks to them, I can listen to a tape from 2000 and be 14 years old again,
I can listen to the tape I made in Armenia and be on that trip again. I can
listen to my newest mix tape and think about my present situation.
It's
true
I have a tendency
To live in the past
But I hope
In the future
You're still here
I have a tendency
To live in the past
But I hope
In the future
You're still here
“Friends
or Enemies” is probably the angriest Ayria song. It’s a song that I dedicate to
my enemies, either people I’ve met in person who I dislike, or larger-scale
enemies. “It’s okay to hate your enemies. It’s either them or me. Just want to
break their things. Is it okay?” Then again by posing the question “is it okay?”,
it stops and makes you think. Does an eye for an eye make the whole world
blind? Is it ever okay to hate? I hate Turkey for committing the Armenian
genocide, erasing the evidence that Armenia existed on the lands they now
control and denying their crimes. But is it really the people of Turkey I
should be angry at? They can’t help that they’ve been fed lies by their
government. Azerbaijan, out of bitterness over losing the war for Artsakh,
teaches school children that Armenians are evil, denies any of the pogroms and
massacres against Armenians they committed, destroys anything remotely Armenian
in their country and claims it was never there, violates the ceasefire on a
regular basis by shooting at border villages, killing several Armenian soldiers
and occasionally civilians a year. But are they really to blame if they’ve been
brainwashed since childhood? Hell, I was brainwashed in childhood into thinking
marijuana was evil, and that if I got a Master’s degree I would succeed, and
those were both lies. Anyone can be brainwashed. Hating is easy, empathizing is
difficult. One is an emotional response, the other is logical. Even though this
song has an angry energy and can be very cathartic to listen to when you’re
angry at someone, if you look at the lyrics, I think these are the things Jennifer
Parkin wants you to think about.
The
next song, “Three Months”, is about getting over a breakup.
I should have known you'd let me down
I know your kind and how easy it was
To shut me out
Maybe it meant nothing to you
It meant the world to me
I know your kind and how easy it was
To shut me out
Maybe it meant nothing to you
It meant the world to me
This is a song I understand
pretty well. It took me a long time to get over that second relationship I
mentioned earlier. By the time this song came out in 2013 I had moved on, but I
still remembered what it had been like. It felt like I had been used, my heart
trampled, that the relationship had meant far more to me than it had her. I
wondered if any of the breakup even affected her while we didn’t communicate at
all for months afterward, while our mutual friends never hung out with both of
us at the same time. It still hurt three months later, five months later, a
year later. Basically, she’d confided in my best friend that she wanted to dump
me, then acted very cold and distant to me at my birthday party, and after the
party my friend, who didn’t want to prolong this charade, confessed that she
was planning on breaking up with me but hadn’t decided on how to do it yet. Ah,
fun times. Best birthday ever. So even though I heard this song five years
later, it makes me think back to that. I’m over it now. Haven’t spoken to that woman
in almost ten years now, in fact. Maybe I still bear a slight grudge over the
whole thing all these years later, but it doesn’t keep me up at night or
anything. I’m happily married now.
The
next song is my favorite off the album, “Big City Lullaby”. The singing is
beautiful in this song. “Everybody wants to live their life in the spotlight.”
Everybody wants to, but not everybody can make it. That’s the whole problem
with me. Everybody wants to be traditionally published. I listened to this song
a lot when I was living in Yerevan for a few months in 2015. It’s the biggest
city I’ve lived in. I was hoping my time there would be a stepping stone, that
I could move on into teaching and parley that career into becoming a novelist.
I had so many hopes and dreams, back then. This song reminds me of that hopeful
time in my life. Before…everything that happened after. Before reality came
crashing in. I do want to live my life in the spotlight. But I must dwell in
the shadows instead.
“The
New Style of Riot” is another song I don’t quite get, looking at the lyrics. It’s
an angry song like “Friends and Enemies”, but not to the same extent. It’s very
intense and energized. You can’t tell if she’s saying “If you” or “F-you” throughout
the song, which I think is on purpose. The last track is “Letter From an Angel”.
Jennifer Parkin blogged on her website for a while and she’d do song
dissections. This song is a letter to her father, who’d died some years prior
to this album’s release. He used to call her his angel, but she writes that she’s
not his perfect angel. So sad. I’ll relate to this song eventually, but not
yet, fortunately. It makes me wonder what impression I left on my grandparents before
all four of them died. The only one who lived until I was an adult was my
maternal grandfather Dean. I wasn’t fully matured at age 20 when he died, even
if I believed myself to be. I wish they all could still be alive, so I could
have real conversations with them. I wish they could read my books, see the
person I turned out to be. Just to sit and have a cup of tea with any of them,
just once. I guess that’s how I relate to this song. These are the thoughts it
brings to my mind when I listen to it, even though I know the true meaning of
the song and it’s not about me.
As
I said it came with two more discs, with remixes on them. It was a pretty nice
deal, only a little over $20 if I recall. And Jennifer Parkin signed it
and gave me a hug for free. Here’s all the swag that was inside:
That concert is one of my happiest
memories with my wife. I’ll never forget our day in San Francisco, checking out
a bar that was just opening, going over to the DNA Lounge where we had a nice
jalapeno and mushroom pizza while we waited for the concert to begin while they
showed gothic music videos on the TV such as “Blue” by The Birthday Massacre,
that’s where I first got into that band. Project Pitchfork has some good music
and this concert got me into them more as well, although I didn’t feel the same
love for the fans from them as I did from Ayria. When their concert was done
they just up and left, only reluctantly coming back for an encore, and then
quickly leaving again. I mean maybe it’s just me, but they struck me as a
little rude. BART would have been closed by the time the concert ended, so
Deborah and I walked over to the hotel which wasn’t far. It was a wonderful day
and night.
Anyway,
I am done rambling about myself, hopefully you got some enjoyment reading
these. If/when I ever write a memoir it will be very music-centric, probably
based on my mix tapes, so this is like practice. Or maybe this blog really is
my memoir. I think it is.
Here's some runner-ups who didn't
make the list but still affected my life:
Kotipelto - Waiting for the Dawn
Stratovarius - Dreamspace
Rammstein – Sehnsucht, also Mutter
Oasis - What's the Story Morning Glory
Weird Al - Bad Hair Day (the first CD I ever owned)
Kamelot - Epica
David Bowie - Blackstar
Cradle of Filth - Midian
Dimmu Borgir - Death Cult Armageddon
Linkin Park - Hybrid Theory (yes as a teen in the early 2000's I'd be lying if that wasn't at least a runner-up)
Kotipelto - Waiting for the Dawn
Stratovarius - Dreamspace
Rammstein – Sehnsucht, also Mutter
Oasis - What's the Story Morning Glory
Weird Al - Bad Hair Day (the first CD I ever owned)
Kamelot - Epica
David Bowie - Blackstar
Cradle of Filth - Midian
Dimmu Borgir - Death Cult Armageddon
Linkin Park - Hybrid Theory (yes as a teen in the early 2000's I'd be lying if that wasn't at least a runner-up)
Nine Inch Nails – Pretty Hate
Machine
And tons of others. I might review all these albums someday, and others too.
But for now, let’s turn to topics other than music for a while. I don’t know if
I’ll post every day, but my goal is at least three times a week. Probably will
more than that though for a while. I have an infinite number of topics.
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